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This problem is connected with language. It can be viewed as a variety of sounds and it is proven that intonation can influence our emotion or - more specifically - transfer some emotion to us. When this transfer fails and another emotion is aroused the meaning is distorted. This occurs often when the listener is upset or tired. "One of the ways in which listeners work out the syntactic or grammatical structure of spoken sentences is by using prosodic cues in the form of stress, intonation, and so on. For example, in the ambiguous sentence 'The old men and women sat on the bench,' the women may or may not be old. If the women are not old, then the spoken duration of word 'men' will be relatively long and the stressed syllable in 'women' will have a steep rise in speech contour. Neither of these prosodic features will be present if the sentence means the women are old." The aforesaid inscription show how important is the way how some utterances are spoken and when the speaker is not sufficiently careful or the listener is upset or tired - or when both these features are combined - easily emerges overhearing. Sedlacek and Sychra discovered that perception of music depends on individual listeners. Their experiences with certain emotions differ. I must add that what occurs with psychical condition of the listener instantly also influences the perception of the same music. From one point of view sudden swings of mood enter into you directly but from another point of view they can be an obstacle for understanding more complicated music closer to speech, bearing more information...